Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
Actor Riggan Thomson is most famous for his movie role from over twenty years ago of the comic book superhero Birdman in the blockbuster movie of the same name and its two equally popular sequels. His association with the role took over his life, where Birdman is more renowned than "Riggan Thomson" the actor. Now past middle age, Riggan is trying to establish himself as a true artist by writing, directing, starring in and co-producing with his best friend Jake what is his Broadway debut, an adaptation of Raymond Carver's story, What We Talk About When We Talk About Love. He is staking his name, what little artistic reputation that comes with that name and his life savings on the project, and as such will do anything needed to make the play a success. As he and Jake go through the process of the previews toward opening night, Riggan runs into several issues: needing to find a replacement for the integral supporting male role the night before the first preview; hiring the talented ...Written by
The titles of the movie are an homage to Jean-Luc Godard. They appear in similar manner and use the same font for several of Godard's 1960s films, such as Made in U.S.A (1966) and Pierrot le Fou (1965). Godard is also known for his uses of jump cuts in his movies, whereas this movie has virtually none. See more »
After the first preview (when Mike was drinking real gin onstage) Riggan and Mike walk out of the St. James Theatre onto 44th street. Riggan gives money to a drummer on the street. The camera swings around, and, apparently still in the same shot, they are now walking towards the Edison Hotel on 47th street. They enter the bar at the Edison Hotel. When Riggan leaves the bar, he is back on 44th street, and walks just a few steps back to the St. James Theatre - closer than when they walked from the theatre to the bar. See more »
How did we end up here? This place is horrible. Smells like balls. We don't belong here.
See more »
Sundance TV recently released an edited version which removes the swearing and zooms in the scene it shows Edward Norton's butt so it is not shown. See more »
This movie really touch my soul in very different ways, I was laughing and crying at the same time when I was watching it. Alejandro's clean smooth directing really states a new canon in the way a movie is conducted, I was blown away with Michael Keaton's perfect performance and the rest of the cast did well around him. I had never seen this kind of genre called "Magical realism" as well as in this movie, it really submerge you inside the head of the main character and the brilliant drum-based score helps to explain the situation by the minute. I am very happy with the Oscars won by Alejandro (well deserved) especially because I am Mexican too. I know that this kind of movie is not for everyone, some people said that it is boring, pretentious, over-the- top, strange, difficult to understand, hideous. But let me tell you this movie is fascinating, touching, funny, sad, eloquent, fantastic and dramatic. I liked very much how it makes fun of big-budget summer-blockbusters hero-movies which easily Alejandro will have done if he had wanted but no, he preferred an artistic low budget movie that make you feel instead of make you eat popcorn.
144 of 250 people found this review helpful.
Was this review helpful to you?
| Report this